Sunday, December 29, 2019

Essay on Special Effects Simulation in Cinema by Temengua...

There was a period of time in the postmodern world when a considerable number of works being published, broadcasted, or exhibited were demonstrations of humanities’ creative progression and development. A sense of awe and possibility permeated culture, and human beings were inspired to find new arts, new sciences, new voices; however, somewhere along the way the focus on aesthetics, originality, possibility, and intelligence blurred. It seems so anachronistic that, in a world where pluralism, an ability to engage in any culture, is more widely practiced than ever before thanks to technology, mainstream media has become so limited. Such limited depictions of contemporary culture reduce humanity’s ability to identify the constructed nature†¦show more content†¦Chin-Yi Chung states in her essay, â€Å"Hyperreality, the Question of Agency, and the Phenomenon of Reality Television.† that, â€Å"...it is existential banality and the boredom of our own lives that we desire as spectacle†¦.In elevating the banal to spectacle, we are elevating ourselves as media objects.† (Chung 33) Similarly, news media, which one would expect to be a dose of objective reality, follows the same developments as other media. Mark Peace of Aberystwyth University writes, â€Å"This is a telltale sign of construction of reality by news broadcasters in two ways: firstly all the events of the world are obviously not bad (if the news is to be believed, the world is complete hell); the second indicator is the way in which broadcasters structure around the ideological rather than the concrete.†(Peace, n.p.) This further complicates one’s ability to identify the constructed reality that spans the globe. Although some proponents may argue that technological advances in media could lead to a utopian society, substance and critical thinking are rapidly declining because these same advances have reshaped one’s ability to perceive or des ire reality clearly. Filmmaking advanced along side technology, resulting in visual effects so realistic that they have numbed captivated viewers into going beyond a suspension of disbelief. Our ability to look at something that’s so obviously constructed and analyze it as such is diminished significantly. Viewers focus on the the EFX

Saturday, December 21, 2019

Architecture The Theoretical Underpinning Of Architecture

Although architecture has no precise definition, it can range from being defined as an art, practice, or complexity of designing something, to being a challenging profession in itself. It is said that â€Å"architecture serves a purpose, stand erect, and is capable of moving us emotionally.† For one to understand how architecture is seen by the creator, it is important that we understand the theoretical underpinning of architecture, of its time, and also how it advanced up to that time. â€Å"Architecture is that great living creative spirit which from generation to generation, from age to age, proceeds, persists, and creates, according to the nature of man, and his circumstances as they change. That is really architecture.† Architectural†¦show more content†¦Most of the times, we will find that almost each architect has his own theory or inspiration, however, if we understand this, comparing buildings types and how they relate with their users and nature w ould be clearer. We would then be able to comprehend how the structure connects with its surroundings and even the way in which it came about. â€Å"Hagia Sophia, the church of holy wisdom, sits majestically atop the plateau that commands the straits separating Europe and Asia.† The former basilica was built in 537 and is located near the acropolis of the ancient city of Byzantium. Being a proud monument of Istanbul’s history, the structure has been transformed to numerous amount of functions from a cathedral to a mosque, to a monument, and now a museum. The structure became known for its massive dome which have changed the history of architecture because of its unique structure. â€Å"Being the embodiment of Byzantine architecture, Hagia Sophia was the world’s largest cathedral for.† 6 Recently, a great fury commenced in Istanbul, Turkey about the world renowned Hagia Sophia. This massive monument has been in a drift war with the government and citizens of Turkey. 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Friday, December 13, 2019

Nora in a doll’s house behind gendered lines Free Essays

In classic Victorian marriages, the prevailing norm stereotypes roles in marriages that typify the male-dominated society classic of the era- women serving as decorations or as we know it today, trophy wives, to successful men. This prevailing status quo is what the society in Europe particularly Norway where A Doll’s House by Henrik Ibsen was set, sees as the order it needs to be free from confusion and disarray that could threaten the very foundation of the society. Nora is the personification of an emancipated female in that era- at first, the picture of an obedient wife whose very existence revolves around her husband but in the end, showing that women are not dolls who can be bribed to be the kind of persons their husbands want them to be. We will write a custom essay sample on Nora in a doll’s house: behind gendered lines or any similar topic only for you Order Now Nora therefore represents the modern-day empowered woman- strong, perceptive and willful to find her own happiness. II. Thesis This paper argues that human rights entail a dynamic reorganization of society and its norms fuelled by both men and women alike. First, women like men are subjected to stereotyping of roles that defines their roles that they may not like. Nora and Torvald are both trapped in their roles. Second, it is the degree to which women and men embrace the deception and forgery that signifies their willingness to be emancipated. By the latter part of the discussion, it is evident that Nora had recognized her need to find herself and be educated in order to educate others and live happily free from deception. Third, women’s rights are human rights because in the process of liberating women, men are also liberated. III. Introduction In Victorian times, the very concept of women’s rights is revolutionary and appalling. A Doll’s House represented what most women in Victorian era in Europe experienced- though they were not subjected to harsh working conditions or sexual abuses, they are nonetheless abused (Coomaraswamy 16). However, to confine that it is only the women who are imprisoned in a world of lies and deception would be a gross misunderstanding of Ibsen’s play. This essay evaluates the classic play that disentangles the organization of European society (and most countries as well) to bring it into order. A Doll’s House by Ibsen is critically analyzed on its perception of women’s right vis a vis human rights and how it had been fuelled by disguise and forgery. Moreover, an evaluation on Act III particularly the virtues of idealism and cynicism will be examined in lieu with the central theme of women liberation. IV. Nora in Ibsen’s Play First, let us start with the role of Nora and Torvald Helmer. In Act I, Nora comes home with Christmas shopping while her husband emerges from the study. Note that Torvald had called Nora a â€Å"little lark twittering† (Ibsen, pp.2) and â€Å"little squirrel bustling† (p.2) as a metaphor on how he had treated her in the whole play- a display and a doll that he can manipulate to whatever he wants to. Torvald by calling Nora such names establishes his authority within the family. Nora as his wife is his pet to whom he shelters. How to cite Nora in a doll’s house: behind gendered lines, Papers